The NY Times gets slapped by the producers of The Third Jihad

The New York Times's appeasement and delusion proves they are living in self-imposed dhimmihood/

....The Third Jihad producers have issued a response to the New York Times articles and subsequent removal of the film from NYPD counterterrorism training.

....What CAIR and the New York Times failed to clearly address, is that The Third Jihad is narrated by a devout Muslim, who has a significant record of serving the United States of America, as a medical officer in the US Navy and as an attending physician to the US Congress. ...

The film's message urges the Muslim community to look within itself to root out the indoctrination that affects a minority of Muslims.

The documentary is founded on credible evidence presented by the FBI of a "Manifesto" published by radicals calling for the implementation of extremist ideology-both violent and politicized-within the United States.

It is no surprise that CAIR does not like the content of the film. CAIR is singled out in the film for its direct ties to the Muslim Brotherhood, open support for Hamas, and links to terror financing.

CAIR was listed as an unindicted co-conspirator in the 2007 Holy Land Foundation trial, the largest ever terror-financing trial in US History. As a result of these designations, the FBI has formally ceased all ties with CAIR-as should the NYPD and New York Times.

The Third Jihad producers also take issue with several inaccuracies and omissions in the New York Times articles:

Several other inaccuracies appear in the article. For example, the New York Times notes that the film includes a doctored photo of the White House with an Islamic flag atop. But the photo is one of many pieces of documented footage from Islamist sources. Yet the New York Times implies that the filmmakers were the ones to manipulate the photo.

The New York Times also inaccurately quotes the film by stating: "'This is the true agenda of Islam in America,' a narrator intones." But the actual quote from the film is: "This document shows the true agenda of much of Muslim leadership here in America."

The article intentionally omits that this narrator is Dr. Zuhdi Jasser, a devout Muslim.

The rest of the New York Times' coverage focuses on character assassination. While CAIR and others label the film Islamophobic, it is ironic that the film's detractors continuously point out that the film's producer has ties to Jewish organizations. The article inaccurately claims that Raphael Shore simultaneously works for Aish HaTorah.

h/t: Pam